32 New Year’s Day – Kings Park (Australia)

When was the last time you saw the sun rise? When was the last time you stood before the morning’s yawn and waited motionless in the indigo hues of dawn to see the sun rise? When was the last time you saw the sun rise on New Year’s Day?

Image by Karl Powell,  Twenty Twenty-Three (Perth, Australia), 2023

A bird had been singing just before I woke. Only the voice of one bird. But its persistent chirping echoed through the dark city. There had been a wattle-bird sitting on my balcony the morning before but I really couldn’t tell if it was the same bird singing this morning. There were no other noises. No cars, no sirens, no voices. Nothing. The winds were blowing, though – cool winds, Easterly winds bringing heat from the deserts that would arrive in a day or two. Trees near my home rustled their leaves and branches whenever the gusts blew past. The world was almost dark. A few stars were still visible overhead, remaining fixed and shining. With the coming dawn a luminescence had begun to seep through the dark – there was some light present in the sky, giving it an appearance of a blue drained of its vigour and vibrancy. On the horizon, low in the Eastern horizon, colours formed. There was indigo, white tinged with violet, lightness and darkness. A deep orange pooled from nothing flooding that part of the sky with the intensity of a new day. The New Year was coming. I wanted to go to Kings Park to see the sun rise.

In the short period of time it took me to make a coffee all the colours of the sky changed. I stook near a window that faced out towards the east. There were bands and glows of pastel hues, of pinks, yellows and oranges generated out and dissolving into the dawn. In the city, street lights and office lights all along St Georges Terrace were still visible in the darkness. Silhouettes of buildings and trees were pronounced. Somewhere nearby, a neighbour’s gate had been left unlocked and the wind was persistent in nudging it, bumping it, making it tap and knock against its post needing to be closed tight. In the block of flats opposite me one apartment had its lights on (everything else asleep in the building). I drank my coffee and looked out at the world. I could have seen all this from my bed: sunk down and half-asleep, feeling the morning light enter my room, imagining the black becoming gold, then lifting to Verdelho, feeling the warmth of a waking room fill with sunshine and of being aware of the white light of a new day arriving. Even asleep you can feel the morning move over you. But this was New Year’s Day and I wanted to be engaged with its first sunrise – to go up to Kings Park, to watch the sun rise up over the river and to see it shine out across the city; to be able to remember that moment throughout the coming year (whatever the Fates decided was in store).

Image by Karl Powell, Fraser Ave (Perth, Australia), 2023

Fraser Avenue was the main road that led into Kings Park from the city. It was a long, straight road and from the park’s entrance conveyed a sense of beauty and elegance due the procession of lemon-scented eucalyptus trees that flanked it and rose high towards the sky. I had reached there a little after five (maybe about a quarter-past). It was light and the park was busy. There were cyclists, runners, dog walkers. The morning bus – the 935 from the park to Belmont Forum – was already operating, moving along out of the park towards the New Year. I made my way towards a slope of green grass, Mount Eliza Range, that faced east and out over the city. There were a lot of people already there before me (more than I had expected). They sat on the grass in groups as friends and family. Some leant against their parked cars. Others just stood between the trees facing the coming year. All waiting.

Image by Karl Powell, Kings Park (Perth, Australia), 2023

From where I stood it was easy to pinpoint exactly where the sun would appear. Most of the horizon was tainted orange with some overnight clouds clinging to the sky; the ridge of sharp edged buildings between the river and the city were silhouettes of varying heights (some reflected light and blurred images). As the morning breeze blew leaves moved all around me. There was traffic moving on the freeways that drove into, along and past the city centre itself. A train – maybe the first one of the day – climbed over the Narrows Bridge, rising up then gliding down into the maze of track leading towards Elizabeth Quay. And in front of this view an old man in a blue shirt and trousers walked his dog, yanking it back onto a path as it stopped to sniff and search inside one of the bushes adjacent there.

Image by Karl Powell, Fireworks (Perth, Australia), 2023

And so we waited. That corner of the horizon, a glowing swirl of orange and yellow would be where the sun rose. The colours were hypnotic to look at, waiting for the first chink of sunlight, the first glimpse of the New Year. My mind wandered. The breeze that blew was cool without being cold. Images entered my mind – just a few hours earlier I had been celebrating the arrival of midnight with friends – the passing of one year to another. It had been a fancy dress party; we all arrived in costume and inevitably in character. We had all shared a meal together, everyone had brought something. We ate as friends, talked as friends and then danced together as the midnight hour approached. There was a balcony and from there we watched fireworks crackle into the night sky above the city. From there you could see the whole of the city – almost touching some of the buildings with their lights, shadow and towering height. Down below we watched people walking alone, in groups, singing, laughing. Taxis and traffic drove along Hay Street and Milligan Street, illuminating the darkness with their headlights on. We celebrated the year that had been and wished each other good luck for the one that was to be.

Image by Karl Powell,  Box 28 (Perth, Australia), 2010

And still we waited in Kings Park. That corner of the horizon, where a glowing swirl of orange and yellow continued to grow. The colours were hypnotic to look at, eyes willing the first chink of sunlight to give us a glimpse of the New Year. My mind wandered again. Just a week ago I was sat on Cottesloe beach celebrating Christmas Day. It was a clear blue sky. Waves had rolled ashore (out of the stillness, out of the quiet ocean). A faint wind blew cool air from the East. The glare of sunlight grew stronger, bouncing off the brilliant sun-bleached sand.

Image by Karl Powell, Cottesloe Christmas (Perth, Australia), 2021

Despite arriving early – early enough that the sun shone behind the Indiana Tea House casting a giant shadow across the sand making it cool – the beach was busy. The sand had been pockmarked with small dunes of footprints – made worse with a small, black dog chasing seagulls that tried to stand there. People in groups, of friends and families, sat together facing the ocean. People were happy. Some drank fruit juice, or poured glasses of champagne, others shared food. There had been an old man, up near the rocks, who had sat alone in a chair, wearing a hat, reading a book; I remembered him because his chair had been positioned so close to the water’s edge that the legs of the chair had sunk deep into the wet sand and the occasional waves that washed over his feet made his toes dance. That day the ocean had been flat – flat from shore to horizon. There had been a swimmer just beyond the reef splashing in strokes between the patches of blue and aqua green. As ever, the shape of Rottnest Island was fixed straight ahead. A large tanker sat further out. No matter how many times you swam in the Indian Ocean blue it always left you feeling so alive and content. Floating in the shallows I looked back at the beach and saw all the people celebrating Christmas together on the sand.

Image by Karl Powell, Christmas Morning North Cott (Perth, Australia), 2021

And here I now stand at Kings Park waiting for the sun to rise. I wait with others, facing east, looking out across the Swan River and Heirisson Island. Light is lifting. The entire sky is thawing from the night, turning into a cool blue. The colours of dawn appear in brevities of being, glowing in oranges and pinks before vanishing. More birds begins to sing. A family of magpies walked across the grass at Mt Eliza Ridge looking for food. Just over the Hills and the Darling Ranges yellow light dances and is alive. The sun will rise there. I think about the last time I saw the sun rise. Years ago – maybe ten – I last saw the sun rise here on a New Year’s Day.

Image by Karl Powell, The Magpies (Perth, Australia), 2022

Hints of sunshine glint and coat the side of the city buildings. Only light, not quite sunlight. A lone plane rises up from the land and climbs at an angle. Momentarily it passes in front of the dome of light that sits above the Darling Ranges. The plane turns towards us, aiming to fly overhead, up along the coast, across the Indian Ocean, maybe towards the Middle East or South East Asia. Sunlight touches it smooth body as it moves through the sky. Its engines leave a roar to echo in the empty heavens behind it. The wind continues to blow. Still cool air. Birds chirp and sing. Sky is changing colour. Sky is yellow, is blue, is white. A corona of light is visible. It will emerge there. The sun will rise there.

Image by Karl Powell, Waiting for 2023 (Perth, Australia), 2023

And then sunlight enters the world. The New Year has arrived. As the first arrow of yellow light fires out from beneath the horizon people clap and cheer in spontaneous unison. A bus stops to watch. Happy New Year. At first a small chink of light, a sunshaft, slowly the sun climbs, a sliver, a quarter, a half, and then the full disc of the sun with its full rainbow of glints, squinting blinding light.  A blank canvas. The day begins, the new year stretches out with all its dreams, hopes and promise.

Image by Karl Powell, The New Year (Perth, Australia), 2023

When was the last time you saw the sun rise?

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31 Christmas in Wales

PART ONE: MOONLESS NIGHT… STARLESS AND BIBLE BLACK
And so begins the long jet lag into darkness. Woke about an hour ago. Still only 2am local time. Wide awake. Everything silent. Everything dark. Everything Christmas. Blurred memories of the past twenty four hours – from airport to here – are distilled. Day began early long ago. Bit of a headache as I entered the airport. Did the check-in. Made my way through customs and immigration. Lots of people about. Felt hungry. Huge queues, overpriced food. Went and waited by my gate for the flight to board. Called in zones. Boarded. Had an aisle seat. Flight full. Quiet. Can’t recall watching much (if anything), just slept. Felt so tired. Looked at upgrade offers. Managed to sleep ok. Changed flights hours later. Half way home. Transit. Airport big so big. Airport easy to navigate. Escalators. Security checks. Walked through Duty Free (last minute Christmas gifts). Made my way over to gate E4. Lounge organised in zones ready to board. Guy sat nearby coughing, coughing, coughing.

Image by Karl Powell, DXB: Transit (Dubai), 2017

Flight home called on time. No delays. Had a window seat. Girl sat next to me and slept most of way. Guy sat next to her and kept his bobble hat on for entire flat. Awake for most of the flight (wish I’d brought a book to read). Runway lit up in darkness as we took off. Could see the lights on buoys and boats floating in the sea.

Flight soon passed. Time went fast. Flew over names of countries. Some parts seemed to take longer than others. Eventually landed. Home. Croeso i Cymru. Familiarity of the airport. Two languages side by side. Nadolig Llawen. Immigration stamped my passport. Home. Red Dragon visible everywhere. Y Ddraig Goch. Words of Dylan Thomas sound in the air:

Image by Karl Powell, Magic Lanterns Above PenyPych (Rhondda), 2017

To begin at the beginning:
It is spring, moonless night in the small town, starless and bible-black, the cobblestones silent and the hunched, courters’-and-rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack fishingboat-bobbing sea.

Familiar faces waiting to greet me. Familiar car. Familiar drive home. Familiar shapes and shadows of landscape. Arriving home for Christmas. Outlines of mountains against the night sky – frozen stars cast out across the endless black. Christmas lights shine in the Rhondda darkness below. Orange lights in homes and pubs, people talking, people coming and people going. Radio songs. Dreaming of whisky and open fires. Driving home. Familiar sights. Across the Bwlch mountain road, the lights of Cwmparc down below, the lights of Penrhys on the mountain across the valley, Cwm Saerbren with its back turned facing out instead towards Treherbert, temperatures close to zero. And then roads home that I know with my eyes closed. Body and eyes heavy. Home. Eat around a table. Talk and conversation. Body and eyes heavy. Crashing through the stars and the singing, hymning dreams. Home again. And then sleep.

Image by Karl Powell, Ninian Street (Rhondda), 2016

Wide awake. And so I decided to get up. Crept around the sleeping house. Showered. Ate breakfast. Coffee on the stove. The slow wait. Watching the silence of the blue gas flame dance around the metallic stovetop coffee pot. Waiting. Looking out into the darkness beyond the windows. Nothing else but the darkness of night. Endless night. Silent Night. Christmas Night. The coffee pot gurgles, hisses and steams through the silence. Golden brown aroma fills the chill of the winter kitchen. Slowly pour the coffee into a patterned cup. Steam rises into the dark moving slowly like the Star of Bethlehem. The house is still; the house is silent. The whole world is asleep.

Image by Karl Powell, The Baglan Field (Rhondda), 2015

Here at the kitchen table, this table which has seen so many family dinners, Christmas dinners, birthdays, sadness and all the joys you can hope to imagine; here at this kitchen table there exists a stillness which is known only within this family home. And so, with a lighted fire heating the air, coloured lights casting Christmas shadows far and bright, I sit and drink my coffee. It will be hours before daylight comes. There is a book on this table – Dylan Thomas. And so, in this stillness, I sit and drink and read.

PART TWO: A CHILD’S CHRISTMAS IN WALES
The poet Dylan Marlais Thomas was born in Wales in 1914. An output cut short but ultimately prolific and fulfilled – words and verses sung across the rooftops in a brevity of colour, alive in moonlight, carried across the ages, spoken still, captured in celluloid, dancing in the waves along coastal shores and the deeper waters. There were poems. There was a play. There were short stories, too. Despite having Welsh-speaking parents, Thomas wrote only in English (his was a generation of people who had been discouraged from speaking the Celtic language of their parents and so were eventually passed down as ‘Anglo-Welsh’ writers). Despite this, the richness of sounds alive in the Welsh language – and its poetry, such as the chimed consonants which sound within verse known as cynghanedd – finds itself present in much of the prose and craft of Thomas. This mesmerical use of vocabulary (once described as a wrongness sounding right), plays a creative reinvention of the English dialect and conveys the sounds of an older language through it and on to a non-Welsh speaking audience.

Image by Karl Powell, Treherbert from Cwm Saerbren (Rhondda), 2017

Dylan Thomas wrote ‘A Child’s Christmas in Wales’ in 1945. The story draws on a flashback of an imagined childhood of the poet, borrowing from nostalgic memories of Christmas and his upbringing in South Wales. The story also highlights the way that Christmas can draw us home – physically or in our imaginations and memories; how it remains a tangible link to the embers of childhood and the blur of memories collected there from a time we can no longer access.

Image by Karl Powell, Dylan Thomas (Perth), 2023

It belongs to his collection of short stories, although originally appeared as a BBC radio broadcast a couple of years earlier; its title, then, ‘Reminisces of Childhood.’ As with all bodies of work, the draft keeps evolving – wants to improve – but at some stage you must let go. The myth of Icarus speaks to us of the dangers of flying ever upwards towards the Sun – the quest for high ambition. And if you hold on to a vision for too long, striving to create an unparalleled perfection, an awful realisation awaits you in that it has consumed every aspect of your life. As with all bodies of work, you must let go eventually in order for them (and you) to belong in the world. And so, amalgamating other talks, broadcasts and drafts, ‘A Child’s Christmas in Wales’ was published in Harper’s Bazaar in 1950 (before a final version was recorded commercially by RCA in New York in 1952).

Image by Karl Powell, The Robin (Perth), 2023

It was this final version that helped establish the popularity and admiration of Thomas as a poet and a writer following his death in New York the following year.

Image by Karl Powell, Sunrise, Boxing Day (Rhondda), 2013

PART THREE: SAINT STEPHEN’S DAY – GŴYL SAN STEFFAN
The sun is rising. From the vantage point of the horse-shoe bend up on the Rhigos mountain road I look down the Rhondda Valley and see the low-angled sunlight pierce through the freezing fog that clings to the landscape. Morning has broken. The sky is clear – its veil of night has now gone. A thin, crescent moon shines bright with Venus (both visible in the Eastern sky). The first light appeared at about a half-past seven. Slowly, darkness began to lift. Outside in familiar streets, frost sparkled. Coated on blades of grass, tarmacked roads, frozen stones, frost sparkles now. Everything is painted cold.

Image by Karl Powell, Station Street & Cwm Saerbren (Rhondda), 2013

Vapour trails from passing planes catch the streaks of yellow sunshine high in the blue winter sky, turning white in amongst the Christmas reds and rose of the morning chill, and hang suspended there in the glacial heights. Everything is so quiet. My eyes move along the valley, across the shivering homes and the trees without leaves. There are allotments empty and frozen on the mountainsides. There are horses roaming there and billowing great clouds of heat into the air from their nostrils. I watch a train pull in from Cardiff; sunlight blinking in reflections against the windows as it moves along the Baglan Field towards the station and the end of the line. From here I can see all the landmarks of home: the tall, clock tower of the old Ninian-Stuart Con Club in Station Street, the giant monkey tree now standing over the Marquis of Bute Hotel, roads and streets criss crossing as they always have, smoke rising from the Nag’s Head as it sits in the lap of the majestic Cwm Saerbren basin. And then in the silence of Christmas I realise that everyone I have ever known and loved has once lived there, down there, was from there, was once there.

Image by Karl Powell, Rhigos (Rhondda), 2013

The holy silence is complimented by the song of the robin. It is the robin’s winter song. This sacred bird sings so clear from the woods of the Rhigos mountainside behind me, and the song carries out across the valley bringing familiarity and meaning to the cold, Christmas morning. And then the words of Dylan Thomas reappear again. There’s a wonderful line that appears in  ‘A Child’s Christmas in Wales’ – right at the end – where the child narrator leaves the adventures of the December snow and the cold and returns back into the warmth of his family home: Everything was good again, and Christmas shone through all the familiar town. And here is home and everything is good, and Christmas shines on throughout all of Treherbert.

Image by Karl Powell, Christmas (Rhondda), 2014

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