34 – High Street, Fremantle (Australia)

Image by Karl Powell (High Street), 2023

Sitting on the sunny side of the street, outside Breaks, I am waiting for my coffee to arrive. Late Friday morning, and already the feeling of another weekend yawns far and wide within languid daydreams – somehow stretching the confines of a week into an expanse of extra time. The sky is clear, blue and endless. Outside this café, people are walking through the sun-shined, sea-port town, leaving their half-caught conversations here and there for others to listen and love; streets are already filling up with day-tripping tourists keen to mooch along through the weekend markets further up on South Terrace. Scents of perfume hang heavy in the drifting breeze. A man with a fridge trolley pushes past everyone in his way labouring with a cargo of orange crates.  Large groups of lunchtime students drift – some going this way, some going that way – are meandering in conversations. The sun shines along the length of High Street. A feint moving breeze blows down from the Town Hall and out towards the sea.

Image by Karl Powell, (Sitting outside Breaks), 2017

The café was filled inside with the sound of female laughter and coffees being made – the hiss and rush of frothing milk. It was busy in and around the café. The High Street was full of noise and people. Almost all tables were taken at the café as well. I sat near the door and had the sun on my back. A girl with a coloured pencil case was writing something down on the table I normally wrote at. Some guy sat at the adjacent table, back turned slightly, almost facing the sunshine. He said good morning to some other guy called Ian who walked past. To my right were three young people talking in French. An old woman dressed like an English Vicar muddled past. An office worker walked quickly then dropped to his knee in the middle of the pavement to tie up a shoelace, then carried on walking, swinging his arms: grey shirt white pants. Lovers of all ages sauntered past arm in arm, hand in hand, sharing the sunshine and the moment of this morning.

A plane, low plane light aircraft fluttered overhead in the endless blue. An old man with short grey hair and an angry face grumbled past my table, limping with a stick. Behind him three youngsters walked past, oblivious to anything other than the delight of their own laughter as each jumped up to touch the awnings and overhanging shop signs. Across the road I saw my friend Shane the archaeologist walking down towards the Round House.

Image by Karl Powell, (Street Artist, South Terrace), 2017

At the corner of the next intersection a street artist was painting a large purple elephant in chalk on the floor.

Image by Karl Powell, (Street Artist’s Elephant, South Terrace), 2017

Everyone around me seemed to be reading – heads down in books and newspapers reading. A guy with a white ponytail sat nearby staring at a crossword. The crossword was large and took up most of the half-folded page of his newspaper. He bobbed his head and tapped his feet to music being played from the record shop next door. A watch on his wrist clearly told the time of a quarter past eleven. Nearby, a lady sketching sat in silence, drawing something with great care, crafting slowly, watching her ideas manifest in pictures. As she continued to draw, she leant on her left hand, elbow resting on the table. A giant pink stone sat in the ring on her finger. It matched the pink hue of her fingernails which shone in contrast to her olive skin. She coughed suddenly and turned her sketchbook: she was drawing rings.

Image by Karl Powell, (Pasta Addiction), 2023

Next door, the record shop had just finished playing George Gershwin’s “Rhapsody in Blue.” I had missed most of the song when ordering my coffee but caught its ending. The record shop already had its doors open before I arrived. They had a big, yellow sign telling the whole of High Street who they were: Record Finder – Specialists in New & Quality Used Records and Cassettes. The interior of the shop looked dark and eclectic – hosting the entire body of music in all its forms. Theirs was a portal into another world – a voyage into new dimensions of Time hitherto unknown and undiscovered; music shops, like bookshops, offered up the opportunity to glimpse into distant corners of the universe and come face to face with something utterly unexpected which somehow aligns with your soul, strikes a chord and eventually changes how you see the world forever (such is the magic of music and poetry).

Image by Karl Powell, (Morning Coffee, Record Finder ), 2023

A large, plastic crate of vinyl records balanced on a stool, guarding the shop doorway. Books about jazz sat alongside vinyl in a glass cabinet with words written on a note. Rows of compact discs ran from the entrance into the darkness inside – each with a small, white label in the right-hand corner (like a postage stamp). The ceiling was high. Behind the posters, behind the stacks of records and compact discs, the walls were painted jade green. In the window there was a large poster of Johnny Cash; below it, a box with the name ‘Tchaikovsky’ printed on it. Sunlight fell inside the shop floor, arrowing in through the gaps at the shop’s front and searing the patches of carpet in long, horizontal cuts. A lone seagull moved about the doorway. The bird had flown down out of the sunshine to land at an outside table where people had been eating. The bird landed in silence grabbed a large crust of something, swallowed it whole in one gulp. It then jumped to the floor and moved as if to enter the music shop (loitering in the shadows of the threshold).

Image by Karl Powell, (New Edition), 2024

One of the record shop owners, sat outside the café on a table, watching the world walk by (offering out a greeting to whoever stopped to talk with him). As I took out my pen and paper and got ready to write on an adjacent table, he ordered another coffee from the waitress with blonde hair.

The humming thunder of a Harley Davidson purrs past us, hammering down towards the Round House and elsewhere. Van doors slam shut as morning deliveries are made. A young woman walks up towards town, carrying a book in one hand, with sunshine bouncing through each curl in her brown hair.

My pen cast a shadow on the table in front of me as I wrote. I watched the way it seemed to weave and dance in front of me on sunlit pages; my will, my ideas scorching blank paper forever.

Image by Karl Powell, (Sunshine on a Wooden Table), 2019

This is all I have today – ten minutes here at the cafe. This is all I have. And this is enough. This will work. With a flat pavement beneath your feet and the sun on your face. This is the place to be: sunshine on a wooden table, a coffee on its way and a ticket to ride. Writing on a wooden table, watching people passing by, blessed by the freedom of an empty page. Casting aside the irritations of seeking out a perfect time and place to write; there are no conditions worth pursuing (all are either absent or elusive). We need nothing more than to enjoy this moment: watching ink flow.

My coffee arrived. The blond waitress brought it.  She told me to ‘Enjoy.’ Midday sunshine was in abundance.

Image by Karl Powell, (Darawn Nature), 2023

I looked around the High Street. Opposite me sat an artist doodling and sketching something in oranges and greens. He had a glass jar of short, coloured pencils on the table in front of him. Eyes closed I could feel the warmth of the sun. The breeze moved past the skin on my face and hands. It was nice to have the sun on my face. I recalled the lines in Hunter S Thompson’s The Rum Diary where Kemp and Chenault have made love just as the novel begins to end, and the two lay together in the darkness of his apartment in Old San Juan – her head resting on his chest – drinking rum in the moonlight, listening to the clink of the ice in their glasses in the total silence they shared; it sounded loud enough to wake the whole of Puerto Rico.

Image by Karl Powell, (Bathers Beach House), 2023

I thought of the beach and began to write again. I began to think of the way that the ocean had looked and felt earlier that morning. Swimming in the endless blue. The feeling of saltwater all around. Floating in the waters of the Indian Ocean as they sparkled with summer’s sunshine. The waters had been sculpted and flat, moving slightly, here and there, broken only by the black dorsal fins of two dolphins coming up for air moving far out in the deep.

A scented candle burning somewhere filled the air with perfume.

Richard the journalist walked past my table and said hello. He stopped and we chatted about some news he had seen overnight in Europe. He told me about the new book he was writing. Told me how difficult the process was. Told me that it was a lot of effort for nothing. Told me the only reason you’d want to write something because you are passionate about it. I wished him luck (knowing he’d complete it and succeed – some people are so committed to their art that all the wind they need within their sails is always blowing near by).

Image by Karl Powell, (Cliff Street), 2019

The record shop began to play The Beatles. Sergeant Pepper’s Lonely Heart Club. After the eponymous track opened, the sounds of ‘With a Little Help From My Friends’ filled the air – and as the chorus tells the whole of High Street how to get high with a little help from our friends, an old man with a bulky, blue backpack appears from nowhere and begins to dance across the pavement, zig-zagging in fleet-footed fox-trots.

Everything was as it should be. Everything felt good. Everything was magic.

There was nothing but clear blue skies.

The sun was getting stronger. I sat still for a few moments more. I closed my eyes and felt the warmth of the sun on my back and heard laughter. It would be time to go soon. I failed to notice my friend, Liz, approach my table from out of my range of  peripheral vision. She’d been watching me write as she walked up the High Street. She came to say hello. We spoke for a while (she was on her lunchbreak, she had a cold and had to hurry as she was on her way to get something to eat).

Image by Karl Powell, (Breaks), 2017

Eventually it was time for me to leave. I finished what was left of my coffee and packed up what I had written. A customer entered the record shop as I stood up and the lone seagull scuttled out of the shadows back into the sunshine on High Street. Almost immediately they began to play ‘There’s Frost on the Moon’ by Artie Shaw. I walked down away from the café, down towards the Roundhouse and the sound of a clarinet followed me all the way down to the corner of Pakenham Street.

Image by Karl Powell, (Round House), 2017

The Round House basked in sandstone sunlight.  

*

4 Coffee Morning (Dubai)

The day awoke with the sound of prayers. Slowly, the individual voices from each of the mosques of Al-Karama began to sing the first call to prayer, the Adhan. The faithful are stirred from their dreams and are reminded in verse sung from minarets that ‘prayer is better than sleep…[and]… to hasten to the best of deeds.’ I had arrived here in Dubai about this time yesterday, walking through the airport’s baggage reclaim after a twelve-hour flight en-route to elsewhere. This same call to prayer permeated the Al Maktoum International airport. It is amazing how you can even feel a sense of familiarity with an airport that size. But this one does feel familiar now (it is my fifth visit). I know my way around. Knew my bearings: the routine, the lifts, the escalators, the way of direction through the chaos of flow. Occasionally glimpsing faces from the flight I’d just disembarked, I watched for a moment as we all stood in queues, before disappearing into the rest of our lives. My taxi was waiting for me. The driver was from Pakistan. He gave a genuine warmth of generosity at such an early hour. He told me how happy he was working in Dubai but missed his family and his home. The journey to my hotel took about a quarter of an hour, roads were quiet and we arrived at the hotel at around sunrise. Despite the early hour, the working day was already walking about and moving.

Image by Karl Powell, First Call to Prayer (Dubai), 2016

Yesterday was much of a blur after that; of sleeping, of eating, of feeling fatigued. I didn’t travel far or do very much (not that I can remember). After check-in, I was taken from the hotel foyer to my room. Fifth floor, room 541. Six lifts from the lobby all going upwards. Unpacked a bit, showered, sat on the bed, listened to the silence. I went back downstairs, through the lobby, to a shining dinning room and ate for breakfast. In a different time zone watches and clocks matter very little. But I ate and drank hot, black coffee. After breakfast, I crossed a busy road and went to a Carrefour supermarket and bought fruit and water. I got chatting to a happy cashier from Uganda and then was helped packing my things into a bag by a man from Egypt. He told me he loved the English language and its literature – that he enjoyed reading Virginia Woolf and Shakespeare. He told me that he was pleased to have met me and hoped I enjoyed my stay in Dubai. Back at my hotel, I fell asleep and slept solidly face down on the bed. To salvage the day, I had tried to walk down to the Creek at around sunset, but was still tired, disorientated and eventually lost my way. In the end, I came back to the hotel. The rooftop pool was closing, but the young pool guard from Kenya allowed me a few minutes to look at the glittering night-time skyline of the city in the distance. 

Image by Karl Powell, Dubai, 2016

So, I am here now, in Dubai (in transit – a stopover), for another 24hours. This time tomorrow I will be back at the airport, with my bags, moving on elsewhere, completing the rest of my journey. Before that, because of yesterday, I am determined to enjoy something of today, to see something today (something I have not seen before). So, just before first light, I showered, made coffee and opened the windows of my room and heard the first call to prayer. I took photos of the day as it rose before me. I sat looking at this incredible city moving from dawn into day. I re-read a quote I had written down during the flight from His Highness Sheikh Mohammed bin Rashid Al Maktoum about the importance of transforming ‘a dream or an idea into reality and vision into action… History has no place for dreamers.’ I drank my coffee; hot, black, and watched the cooling, curling twisting, white whisps of vapour steam out from the darkness of my cup into the new light of day.

On leaving the hotel I decided to walk back to the Creek. This time I had a map, I’d marked streets and a clear route there. I wanted to see the Al Fahidi district – there was a souk and a historical area, with older buildings now converted to museums and art galleries. It was still only mid-morning and some shops had opened, others were opening. Streets were perfumed with incense. The day had yet to heat up. People seemed at peace with each other. There was no hurrying. Shopping was actually quite pleasurable. People smiling, wishing you ‘assalam mualikum’. Nothing hurried. It took a while but I got there.

Image by Karl Powell, Al Fahidi Mural (Dubai), 2016

Wandering around at first, looking at postcards, looking at pottery, I eventually found a Coffee Museum. It was a two-storied building which told the story of the region’s relationship with coffee. You could buy, you could try. There were so many different types of coffee available, so many different colours, so many different varieties existing. My choice had been to try local Gulf coffee. It came served from a tall, metallic dallah pot, poured from a thin neck into a small, white cup and given to me to drink. There a golden coloured coffee cooled, flavoured with cardamom and cloves (no sugar needed). I bought Medjool dates and almonds to eat with it.

Image by Karl Powell, Dallah (Dubai), 2016

Afterwards, I walked around the souk and the historical buildings. The heat of the day was beginning to bite; in full sunshine it was intense. The blue sky was now smudged with humidity. White buildings reflected glare. Palm trees rose up out of the ground, into the day, housing small birds which chirped and swooped, flitting between the sunshine there before sheltering in the coolness and serenity of surrounding eves and ceilings – flying through the eternal peace of the spaces found in a mosque nearby. Climbing stairs, I discovered a rooftop terrace which faced the Gold and Spice Souks across the water near Deira.  For a while, I sat watching the river flow down the Creek and out into Port Rashid. Dhows and water taxis flowed past. I drank my water. I ate some fruit. As the heat increased the small birds sang more softly in their echoes and chirps. At around midday, the streets rose up once more in song – the second call to prayer sang out across the Creek; it called from everywhere, all at once, reverberating around this city.

Image by Karl Powell, Cooling Shade (Dubai), 2016

The heat was beginning to weigh me down. The fatigue of my flight had not quite left my body. I spent what cash I had left on me buying souvenirs and gifts and hurried to return to my room. During my attempt back to the hotel, I still had to navigate my way out of the little streets and alleyways. A few times I got lost. On another turn I found the Centre for Cultural Understanding; they were busy preparing a meal for lunchtime – served in an hour. I was invited to stay, to join them, but had already arranged to meet a friend back at the hotel (he lived here, had moved here, had also arranged lunch). I promised to return next time, to join them, to share a meal. Then, the last discovery, entirely by accident: an art shop selling watercolours, an art shop creating watercolours entirely from coffee. On entering, the first thing I smelt was the familiar warm perfume of coffee – yet this was from the artwork. Paintings hung from the walls ready for sale; paintings of dhows, calligraphy, sunflowers, paintings in differing shades of gold, tan and black; paintings of coffee. The artist told me how he used coffee as his medium to paint and how he enjoyed his craft. It was spellbinding as he explained and demonstrated what he did. I wanted so much to buy a picture, to support this creativity, yet my cash had already been spent elsewhere. I wished so much that I had found this place first and had bought a picture from coffee before anything else. I vowed to return to Dubai again, and find this shop and to buy a picture. To date I haven’t been back. At present, I’m not sure when I’ll have the chance again.

Image by Karl Powell, Sunset (Dubai), 2016

On the rooftop of my hotel in the late afternoon sun, I am sitting by a pool. I am still full from lunch – having met my friend from London at an Ethiopian restaurant called Zagol in a street behind this hotel, in a street in the shade. The food was incredible, utterly amazing, we ate it all and enjoyed the hour together before his return to work. I came here and have spent the afternoon enjoying the sunshine. Ahead of me now is the silhouette of Dubai’s skyline. The Burj Khalif stands tall. It is tall, it is so tall. I look out over the dreams and ideas that have come into fruition here; that have been created here. It is an incredible city. As the sun now angles lower, and begins its descent into dusk, a breeze blows across my shoulders. The streets below in Al Karama sound to the clangs and bangs of new dreams being created through construction noises, busy cars toot their horns; here, umbrellas around the pool stretch and strain as the Emirati breeze picks up. In the distance I can see the sail of the Burj al Arab. Beyond that the smooth shining gold foil of the Indian Ocean. This time tomorrow I shall be elsewhere in the world. The Indian Ocean is like flat gold foil. And the big blue sky is endless. Is endless. Is endless.

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